The Boor: A Comedy in One Act (Classic Reprint), by Anton Tchekoff
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The Boor: A Comedy in One Act (Classic Reprint), by Anton Tchekoff
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Excerpt from The Boor: A Comedy in One ActPlay without intermission by Philip Barry. Produced originally by the Theatre Guild at the Martin Beck Theatre, New York. 5 males, 4 females. I exterior scene. Modern costumes.One of the most striking and original plays ever written by an American, and on the occasion of its production in New York it aroused heated controversy. It is the most ambitious and brilliant play Mr. Barry has ever attempted, and is concerned with the baffling problems which every adult human being is at some time forced to face. The characters seem hardly to exist at all in relation to other people, which is surely the reason why Mr. Barry discovered (somewhat as Chekov discovered) that to invent a plot for them would be to deprive them of the kind of reality he was after. These people are essentially introspective, centripetal, literally self-seeking. And what are they after? Just an answer to the question that every thinking human being must ask himself - and vainly: What is life? What is death? Where are we going, and why? What is the meaning of past, present and future? Published only in bound form."A glittering play of unreality and magic to quicken the pulses and stir the minds..." Richard Lockridge, N. Y. Sun.(Royalty on application.) Price $2.00 per copy (in cloth).The Farmer's WifeComedy in 3 acts. By Eden Phillpotts. Produced originally by Charles Coburn in New York City. 9 males, 13 females. 2 interiors. Modern costumes.This delightful comedy of English people was one of the long run successes in London before coming to New York. The story is concerned with Samuel Sweetland, a Devonshire farmer and a widower, who decides to marry again. Aided and abetted by his housekeeper, Araminta, he makes out a list of the various eligible women in the county and proposes to them in turn. But they all refuse him, and in the end he finds at home, in Araminta, the one woman.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Boor: A Comedy in One Act (Classic Reprint), by Anton Tchekoff- Published on: 2015-09-27
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .7" w x 5.98" l, .14 pounds
- Binding: Paperback
- 36 pages
About the Author Anton Pavlovich Chekhov (1860–1904) was a Russian short-story writer, playwright and physician, considered to be one of the greatest short-story writers in the history of world literature. His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics. Chekhov practiced as a doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress." Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Uncle Vanya and premiered Chekhov's last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." Chekhov had at first written stories only for financial gain, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. His originality consists in an early use of the stream-of-consciousness technique, later adopted by James Joyce and other modernists, combined with a disavowal of the moral finality of traditional story structure. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.
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