A Complete Manual of the Edison Phonograph, by George E. Tewksbury
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A Complete Manual of the Edison Phonograph, by George E. Tewksbury
Free Ebook A Complete Manual of the Edison Phonograph, by George E. Tewksbury
This valuable reference contains 26 diagrams and illustrations showing the various components of the phonograph. Introduction by Thomas A. Edison SOME years ago, I “wrote a piece” about the Phonograph, for the North American Review. Nine years ago, that was further back than most men like to remember, and a long time in the history of an invention. Since then many things have happened, in science, in experiment, and in every phase of human activity. In looking over that article, I do not see that there is a great deal to change in it, even at this distance of time. Much that was then anticipated has come true, and much more than was then expected has happened. But the eye of prophecy always sees dimly. Merely to have foreseen a result or a general effect is enough, and it would have been the part of wisdom then, as it is now, to leave the details of fulfillment to the judgment of those taught by later experience, and the trend of the years. Having arrived at an age when he believed men were little likely to change their minds on any important subject, Mr. Ruskin, reviewing an earlier work, said he would omit some parts but not attempt to mend. So in writing this Introduction for friend Tewksbury’s book, I will refer only to those parts of the former article which seem to me of permanent interest. I remember distinctly that I enumerated the reproduction of music for popular enjoyment, as among the important uses that the Phonograph would serve, and so widen the gentle influence of melody and add to the general sum of pleasure. This it has certainly done, and is doing. In addition, by bringing within the reach of everyone accurate reproductions of the best music, it exerts, almost unconsciously, an elevating moral influence. Dictation without the aid of a stenographer, has been successfully achieved, while a use that did not then occur to anyone, namely, rapid transcription, has grown out of this feature of the machine. The teaching of elocution and the study of languages were mentioned, and in both of these fields I see increasing uses and larger opportunities. I know of no other such aid to education. The method and application are obvious. Music-boxes and toys were mentioned; but with the advance made in the art of record-making, the Phonograph is now so much better than any music-box, so much more varied, truer to life and nature, and more human, that it has left behind the older and more mechanical device. In anticipating that the Phonograph would be a means of private entertainment, it did not occur to me that public entertainments would become a special feature of its use, and the instrument was designed with no such end in mind. Yet I find that a large number of persons, not possessing an instrument themselves, receive satisfaction and pleasure from its exhibition by others. I am still attracted towards the Phonograph for the same reasons that influenced me at the beginning. In the material business world it is a time-saving device of unlimited service, and in the sphere of music it more nearly satisfies the natural desire for song and melody than any other mechanical agent. When my first “piece” was written the Phonograph was in its childhood. It seems now to have arrived at a vigorous maturity. In one sense it knows more than we know ourselves, for it retains the memory of many things which we forget, even though we have said them. It teaches us to be careful what we say, and I am sure makes men more brief, more business-like, and more straightforward. Sometimes I think it cultivates improved manners, and I feel sure that any means tending to perpetuate the charm of music must be a help and a solace to all. For the future it has great possibilities, and the improvements that will continue to be made from time to time will in the end bring it to a perfection that will make the Phonograph an important feature of every household. Thomas A. Edison.
A Complete Manual of the Edison Phonograph, by George E. Tewksbury- Amazon Sales Rank: #1658013 in eBooks
- Published on: 2015-03-17
- Released on: 2015-03-17
- Format: Kindle eBook
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Most helpful customer reviews
1 of 1 people found the following review helpful. Mostly for those with an interest in Edison Class M and Spring Motor phonographs. By Florida Clay The main thing to know about this little book is that it is a reproduction of a book dating from 1897. Curiously neither the seller’s ad nor the book itself includes the copyright date. I had to find it elsewhere.The book of course speaks from the time that it was written, and that means that it focuses in detail on the two main Edison phonographs extant at that time, the Class M battery operated phonograph and the “Spring Motor” phonograph, both using the same or similar upper woks. The “Spring Motor” would go on to be renamed the Edison Triumph phonograph around 1901. If you have an interest in either of these two early machines, you will find the book useful. There are details on how they are constructed, their operation, and their maintenance. If your focus is on later machines, this is probably not the book for you.There is also a short, but interesting introduction by Edison himself reflecting on how far the phonograph had then come.
5 of 6 people found the following review helpful. Book for Edison Phonograph By Betty The book is okay but wasn't what we wanted. We are restoring an old Edison phonograph and needed a book that lists parts and graphics of how the phonograph originally 'went together.'
1 of 1 people found the following review helpful. Learn what your ancestors knew. By Roger Sessom Very informative. Great for old phonograph lovers.
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