The Sound of Innovation: Stanford and the Computer Music Revolution (Inside Technology), by Andrew J. Nelson
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The Sound of Innovation: Stanford and the Computer Music Revolution (Inside Technology), by Andrew J. Nelson
Ebook PDF Online The Sound of Innovation: Stanford and the Computer Music Revolution (Inside Technology), by Andrew J. Nelson
In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced "karma") helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide.
Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation.
Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.
The Sound of Innovation: Stanford and the Computer Music Revolution (Inside Technology), by Andrew J. Nelson- Amazon Sales Rank: #601153 in Books
- Brand: Nelson, Andrew J.
- Published on: 2015-03-06
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .44" w x 6.00" l, .0 pounds
- Binding: Hardcover
- 248 pages
Review
Even as a forty-year veteran of the synthesizer industry, I learned a ton from The Sound of Innovation. While the legal and business considerations are interesting on their own, it's their intertwining with musical and technological developments that makes this story so magical. Andrew Nelson's thorough recounting of CCRMA's unique history with all the successes, failures, and tales of the weird and wonderful makes for a great read.
(Dave Smith, legendary instrument designer, Fellow of the Audio Engineering Society, and 2013 Grammy winner)Every year brings a new crop of books promising the secret formula to innovation in your organization. Very few are based on research and evidence. By bringing to life the story of the remarkable fusion of music and computer science at Stanford, Andrew Nelson has provided a work of not only insight but also usefulness. Everyone in government, business, and academia should read it.
(Dane Stangler, Vice President, Research & Policy, Ewing Marion Kauffman Foundation)The Sound of Innovation deftly unpacks the relationship between university research, commercial interests, and new innovation-driven fields. Nelson reveals both the opportunities and the tensions that emerge at unexpected intersections, interweaving a story of entrepreneurial individuals with a rich and detailed sociological analysis. The result is an unprecedented investigation into the origins and impact of interdisciplinary innovations in the creative arts.
(Fiona Murray, Associate Dean for Innovation and Co-Director, MIT Innovation Initiative, and William Porter (1967) Distinguished Professor of Entrepreneurship, MIT Sloan School of Management)The Sound of Innovation goes beyond many chronicles of inventive, entrepreneurial, or organizational success, in not glossing over the uncertainties, obstacles, and serious setbacks, and in offering a structured analysis of the particular, concrete instantiations of processes that reconceptualizes them in more general and abstract terms. With the aid of fresh frameworks and concepts (including 'radical interdisciplinarity,' 'informal technology transfers,' and 'multivocality'), its author arrives at important concluding insights that should be welcomed by those concerned with the formulation of public policies for science, technology, and innovation.
(Paul A. David, Professor Emeritus of Economics and by courtesy History, Stanford University; Senior Fellow, Stanford Institute for Economic Policy Research; Emeritus Fellow, All Souls College, Oxford)About the Author Andrew J. Nelson is Associate Professor of Management; Academic Director of the Lundquist Center for Entrepreneurship; and Bramsen Faculty Fellow in Innovation, Entrepreneurship, and Sustainability at the University of Oregon. He received his MSc from Oxford University and his PhD from Stanford University, where he subsequently served as a Lecturer.
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Most helpful customer reviews
3 of 3 people found the following review helpful. A wonderful book about innovation, music and Stanford By Henning The Sound of Innovation is wonderful book. It is carefully-researched and well written. Nelson takes a deep dive and tracks the evolution of the Center for Computer Research in Music and Acoustics in great detail. He shows how interdisciplinarity plays a crucial role in the emergence of innovation. The book thus holds wonderful insights for readers interested in innovation. Nelson identifies which components are crucial for innovation to take place – and how they interplay. As such the book also serves as a useful guideline for mangers who are interested in making their organization more innovative. If you are interested in “Stanford’s secret sauce”, here you can learn about it. I believe that managers of R&D departments, administrators of research institutions and universities, as well as scholars will find the book to be very useful.Of course, the book also does not simply study any innovation. Learning about innovation in sound is different from innovation in biotech or IT. Given Stanford’s salient role in musical innovation in the last few decades, the book also allow you to tracks the last few decades of evolution in musical innovation. When listening to my usual Spotify playlists after reading the book, I often asked myself which of what I was just heard was only possible to the innovations described in the book.Taken together, Nelson has picked a wonderful topic and examines with great care and expertise. You will wind this book very worthwhile your time.
0 of 0 people found the following review helpful. Andrew Nelson's "The Sound of Innovation" is a very enjoyable read By Gareth Loy Andrew Nelson's fantastic book, "The Sound Of Innovation", published this year by the MIT Press, tells the story of Stanford's CCRMA not just from an historical perspective (though that is very valuable) but importantly, from the perspective of its history of innovation: how the musical and technological insights and research conducted there wove together with the practical realities of patents, business, and legal contracts at the intersection of Big Academia and Big Business. As someone who lived through a portion of the history Andrew covers, and I can say that his telling is pitch-perfect. He does not gloss over the difficulties, uncertainties, and tensions that dogged the whole enterprise, which makes the ultimate success of CCRMA that much more palpable. Highly recommended.
0 of 0 people found the following review helpful. Engaging read; fascinating history; innovation primer By Adam Miller For anyone curious about where new technologies come from -- or curious about the kinds of organizations that create them -- this is a great book. Nelson tells the story of digital music in a way that mixes technical detail with engaging personal stories. Whether you’re a music outsider who’s simply interested in creativity and innovation or an industry expert with decades of experience, you’ll undoubtedly learn something new. One of the book’s best features might be the accompanying website, where I was happily surprised to find loads of video highlights and copies of original letters and other documents. I never expected to be able to read Steve Jobs’ personal emails to some of digital music’s pioneers!
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