Theft: A Play in Four Acts (Classic Reprint), by Jack London
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Theft: A Play in Four Acts (Classic Reprint), by Jack London
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Excerpt from Theft: A Play in Four ActsMargaret Chalmers. Twenty-seven years of age; a strong, mature woman, but quite feminine where her heart or sense of beauty are concerned. Her eyes are wide apart. Has a dazzling smile, which she knows how to use on occasion. Also, on occasion, she can be firm and hard, even cynical. An intellectual woman, and at the same time a very womanly woman, capable of sudden tendernesses, flashes of emotion, and abrupt actions. She is a finished product of high culture and refinement, and at the same time possesses robust vitality and instinctive right-promptings that augur well for the future of the race.Howard Knox. He might have been a poet, but was turned politician. Inflamed with love for humanity. Thirty-five years of age. He has his vision, and must follow it. He has suffered ostracism because of it, and has followed his vision in spite of abuse and ridicule. Physically, a well-built, powerful man. Strong-featured rather than hand some. Very much in earnest, and, despite his university training, a trifle awkward in carriage and demeanor, lacking in social ease. He has been elected to Congress on a reform ticket, and is almost alone in fight he is making. He has no party to back him, though he has a following of a few independents and insurgents.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Theft: A Play in Four Acts (Classic Reprint), by Jack London- Published on: 2015-09-27
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .61" w x 5.98" l, .87 pounds
- Binding: Paperback
- 292 pages
About the Author Jack London was an American author, journalist, and adventurer. London s early careers as sailor, fisherman, and prospector provided inspiration for his later writing, and it was only when he returned from the Klondike that London decided to focus on social activism and journalism. He soon became a popular magazine columnist and author, and a prolific commercial writer, penning over two dozen novels, and numerous short stories and poems. His most famous works include The Call of the Wild, White Fang, The Sea-Wolf, and the short stories To Build a Fire, and An Oddyssey of the North. London died in 1916.
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0 of 0 people found the following review helpful. London's best play, for what that's worth By Karl Janssen Jack London was one of America's most successful writers of all time, achieving worldwide fame with his short stories and novels. Despite being a household name in the literary world, he was never able to translate that success to the stage, but not for lack of trying. He published about a half dozen plays during his lifetime, the majority of which were never produced. Theft was originally published in book form in 1911, but did not see the inside of a theatre until it was staged by the Lithuanian National Drama Theater in 1955. There is nothing in Theft that will make you think London's failure as a playwright is undeserved, yet it is probably the best play he ever wrote.Theft takes place in Washington, DC. Howard Knox is a well-intentioned Congressman crusading for reform. He is scheduled to make a speech in which he will expose the corrupt activities of an industrial magnate and his congressional stooges. The wealthy capitalist in question, Anthony Starkweather, along with his son-in-law and political puppet, Senator Thomas Chalmers, will do everything in their power to foil Knox's great speech and publicly disgrace him. To complicate matters, Margaret Chalmers, wife of Senator Chalmers and daughter of Starkweather, forms a friendship with Knox and begins to sympathize with his cause. The play opens with Knox in the lion's den, attending a tea party surrounded by his corrupt adversaries. Knox chastises them in a political dialogue that is reminiscent of the debates between Ernest Everhard and the oligarchs in London's novel The Iron Heel, though Knox never mentions the word "socialism". He accuses Starkweather, Chalmers, and others of stealing the fruits of the working class's labor, including the labor of children. The success of Knox's upcoming speech hinges on the possession of a bundle of documents, a "smoking gun" which will provide the American public with proof of his shocking accusations.Like many plays written a hundred years ago, Theft is dreadfully overdramatic at times. The romantic subplot alone is nauseatingly histrionic ("Kiss me, my dear lord and lover. Kiss me"). Really the only readers today who are going to be interested in this play are fans of Jack London, and perhaps those of Upton Sinclair, for it's very similar to the latter author's dramatic works, in particular his play The Machine. Though Theft is essentially a piece of political propaganda, London manages to strike a good balance between preachiness and entertainment. He injects enough sensationalistic melodrama into the narrative to elevate a dry political treatise into something that you might actually sit through for two hours in a theatre. The story defies believability at times. One instance, when a character forgets that someone else is in the room, is particularly unforgivable. But to London's credit, the plot is not predictable. It takes some unexpected twists and turns, and the ending is neither trite nor obvious.Theft didn't take the theatrical world by storm a century ago, and it's unlikely to experience a revival anytime soon. Jack London enthusiasts who have some interest in his muckraking political works may find some enjoyment in this unconventional treatment of his familiar political themes. Casual fans of London would do better to stay away from his dramatic works and stick to the novels and short stories that made him famous.
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